ENTERTAINMENT

Documenting Docs: 'Olympia'

But still, I feel it is also important to address that we view films through the lens of the filmmaker. What does that mean exactly? In this case, Olympia may not exactly be propaganda, but it does carry a piece of Riefenstahl in it. So we can't completely separate the art from the author; this is impossible because we are viewing the film through the lens of the director.



ENTERTAINMENT

Documenting Docs: Olympia

  Recently I talked about Leni Riefenstahl’s Triumph of the Will, and no, we still aren’t done with her yet. This time we are going to look at her less controversial and infinitely more interesting film: Olympia.








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