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Review




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‘Atomic Heart’—An atomic heartbreak

Despite taking influence from gaming titans like Prey and Bioshock, Atomic Heart doesn't grab player with its world or characters. Even with fun gameplay and a promising development, the game seems to come up short.


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‘It Starts With Us’ never should have started

After riding the way of the very successful It Ends With Us, Colleen Hoover's follow-up novel It Starts With Us never should have started at all. Poorly written characters, unlikeable motivations, and awkward stylistic choices make this would-be romance into a true train wreck. 



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A “Scream” of a horror movie

Coming from a self-aware legacy of classics, Scream VI slashes its way to theaters with gripping horror and traditional Scream meta-ness. With new and returning cast members, the film serves as a slasher standard.



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Paramore’s ‘This is Why’ craves creativity

Despite years of hype and a legacy of classic emo bangers, Paramore resurfaces with a recycled and uninspired new album. Delivering little in the way of new style, This Is Why falls flat across Paramore's discography.


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‘Evil West’ —The Demigod of War

Coming with action, violence, and a bloody good time, Evil West delivers a exciting gameplay experience. While not being entirely worth the price tag, Evil West has plenty of fun to be had within.



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'Wednesday' snaps into action

Coming from a legacy of loveable darkness, Wednesday snaps onto the screen with a black heart and a cast of loveable misfits. With tantalizing mystery and a crew a wonderful characters, Wednesday leads the Netflix catalog.


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Weyes Blood delivers more than just a glowing heart

After crafting one of the greatest albums of the last decade, Weyes Blood continues her dominance on baroque pop with her sequel project And In The Darkness, Hearts Aglow. She delivers once more a hauntingly beautiful project full of gorgeous melodies.


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