By Aaron Dwyer The Sleepover is a family action-comedy, the sort that moms use to wrestle all their children into a row of theater seats, either as a treat or—in the case of a summer blockbuster like this one—because it’s too hot to play outside. Nowadays, due to the pandemic and the rise of streaming, you can find it released directly to Netflix. In The Sleepover, siblings Clancy and Kevin haven’t been getting along with their parents lately. Their mother, Margot, never wants them to do anything fun, and their father backs her up by making them stay home on a Friday for the world’s lamest sleepover. As it turns out, Margot has good reasons for wanting to keep the kids safe: she used to be a high profile thief before she settled down, and is now in witness protection. Margot’s old boss has tracked her down and requested that she complete one final heist, and he’s made it clear that he won't be taking no for an answer. Margot goes along with the plan but leaves clues behind for the kids to figure out where she’s gone. Clancy, Kevin, and their friends are determined to rescue Margot, the trail of clues leading them all over her old hideouts and into various wacky predicaments as they attempt to track her down. The story splits its time between both sides of the family as they try to make it out in one piece and, hopefully, reunite with each other by morning. Now, that sounds like a movie concept designed to be fun for the whole family if I’ve ever heard one. But despite its surface-level appeal, The Sleepover could hardly be called fun for the whole family, because it isn’t really fun at all. It would be very easy to label this movie as simply "meh" and move on, but looking closer, there is some nuance to how underwhelming it is.
Taking the "high" out of "hijinks"
Some effort was made
Now, I feel I should make it clear that all these critiques are not to say that this movie is completely worthless. There are a few touching family moments, particularly those involving the dad, Ron, who is the softer counterpart to Margot’s businesslike approach to parenting. Played by Ken Marino, Ron is made the standout role of The Sleepover , since Marino seems to be the one giving it the most effort and not just killing time until the movie is over. Other than him, however, none of the family members have very believable chemistry, and their relationships don’t feel well-established by the time the action kicks off and leaves them separated. It’s hard to stay invested in the possibility of their reunion when they don’t seem to like each other much in the first place. The scenes with Dad may be nice, but they’re not nearly enough to save the movie. Once again, it comes back to the lackluster pacing and plot. Had there been more of those softer moments and more time and attention given to the family’s dynamic before everything went sideways, The Sleepover might have been a more engaging movie. I just hope the child actors can all go on to better projects because this one is sure to leave you snoring.IMDb IMDb