by Ryan Fine
The clock has chimed on 10 Feb. 2018, which means it has officially been two decades since the poster child of hipster music was released.
Neutral Milk Hotel’s second album In the Aeroplane Over the Sea occupies a unique space in the musical consciousness. If you don’t consider yourself a fan of indie music, then as the band’s most stereotypical fans would tell you, “you’ve probably never heard of it.” But anyone who’s spent any length of time in their local record store or on many of the Internet’s most popular music sites is likely to recognize the album cover immediately. Even those who have never listened to the album themselves could probably quote several of its most outlandish lines.
Things weren’t always like this. Back when the folk rock quartet released the album back in 1998, there was little real buzz to be heard. Sure, it got some good reviews – great ones, even – but there were some notable dissenters as well. In a 3-star Rolling Stone review, Ben Ratliff said that “The King of Carrot Flowers” with its abundant instrumental layers “mask[ed] the absence of a decent melody.” He then derided the album as “thin-blooded, woolgathering stuff.” Dele Fadele’s 6/10 review for NME started by calling vocalist Jeff Mangum “a sick and demented fellow,” but ultimately conceding that the album was a “convoluted musical journey worth embarking on.”
For a fledgling band from Ruston, Louisiana, mixed publicity was still publicity worth having. It was certainly more than could be said for the project’s highly underrated first album On Avery Island, which was released two years earlier essentially as a Jeff Mangum solo record. (The four-person lineup was assembled mostly for the purpose of touring for On Avery Island.) So with a relatively successful release cycle behind them and a small but devoted following, Neutral Milk Hotel took its Aeroplane to the masses.
The issue for Jeff Mangum was that it took a lot of effort and time away from home to reach those masses, and the payoff was not always worth it. At a certain point, he could only bear to explain the same unconventional lyric to so many interviewers. For a man who preferred to have some privacy, the constant attention that came from a full-scale tour quickly became too much to handle, and by the time the band returned to their new home in Athens, Georgia, Jeff was out of energy. Though he tried to write new music to please his friends and bandmates, soon it was official: Neutral Milk Hotel was no more.
And in some ways, that’s where the real story began.
When Jeff Mangum quit, he quit cold turkey. He helped out some of his friends by playing and singing on their albums, but he stopped writing his own music entirely. He has turned down almost every interview request for the past 20 years and even a support slot for R.E.M., much to the chagrin of the band’s other three members. Essentially, he disappeared, and his new status as a mysterious shadowy figure made him a much more legitimate artist in the eyes of the public.
Suddenly the independent music world was enamored with In the Aeroplane Over the Sea, a newly thrilling masterpiece about Anne Frank, two-headed boys and Jesus Christ. It eventually caught the attention of those who would start bands like Arcade Fire, The Decemberists and Fleet Foxes, all of whom are indebted in some way or another to the sound of this album. Even Franz Ferdinand, whose wild dance-punk grooves seem to have nothing in common with Aeroplane at first glance, have cited Neutral Milk Hotel as an influence.
But as it happens with all good things, the Internet got a hold of Aeroplane and ruthlessly turned it into music’s longest-running meme. Emphatic but awkward lyrics like “I love you, Jesus Christ!” and “Semen stains the mountaintops” have been made fun of countless times, and the album cover has taken on a life of its own. What the heck is that thing where that lady’s head is supposed to be, anyway? Some say it’s a potato. Most others land on some percussion instrument or another.
“And one day we will die And our ashes will fly from the aeroplane over the sea But for now we are young Let us lay in the sun And count every beautiful thing we can see”
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