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‘Origins’ should have gone back to where it came from

It’s been a while since Imagine Dragons could be considered a  legitimate rock band. Once an okay band by radio rock standards whose  heart they put in their songs could not be denied, they have made next  to no progression as an act. They haven’t quite reached the point of  Maroon 5, who are only a band in name, but Origins proves that Imagine Dragons may be on the same path.

The (Not-So) Good…

“Thunder,” the biggest hit from the band’s previous album, Evolve, and one of the most gutless songs they have ever released, seems to have inspired a lot of the more synthetic songs on Origins.  Songs like “Boomerang,” “Cool Out,” and “Bad Liar” share the lukewarm,  blasé vibe of “Thunder” that would make absolutely no impression if it  weren’t for Dan Reynolds’ gravely, strained vocals, shaky falsettos, and  obnoxious choruses that tarnished what atmosphere the songs had going  for them. “Only,” the other main electro-pop track of the record just  sounds like a Chainsmokers song, which is something no artist should aim  to sound like.

Out of the three categories of songs that populate Origins,  these songs, while not something that could be considered quality, are  the least offensive. The lyrics on many of these tracks concern  Reynolds’ relationship and divorce of his ex-wife, Aja Volkman (though  the two have claimed they are back together as of this November). While  the lyrics are not exactly the most thought-provoking or pull many  heartstrings, it is here that the most heart is shown from Reynolds; he  also manages to tackle their relationship in a variety of ways.

The Bad…

The second category seems to call back to the other big song off of Evolve:  “Believer.” These tracks are the overblown, over-compressed radio rock  ragers that are the reason why Imagine Dragons can still be considered a  rock band. However, for a rock band, it seems like this type of  overwrought, lumbering slush like “Natural” and “Machine” is one of the  only rock songs they can make nowadays, aside from a few choice  examples that will be addressed later. “Natural,” the lead single of the  record, is the better of the two when it comes to songwriting, but it  still feels just a slight variation on the formula that brought the  world songs like “Believer” and “I Bet My Life.” The only thing that  separates these tracks are their political themes, especially on  “Machine.” But as revolutionary as the band tries to come off as on this  track, it’s hard to take it seriously when they try to make petitioning  sound badass, and also when they have a song made for Ralph Breaks the Internet  only a few tracks later on the record. It’s a messy attempt at trying  to say something bold; something that seems to have come from a real  place considering Reynolds’ history of LGBT activism, but it does not  translate well at all.

And the Ugly…

Finally, the last category, and the most perplexing one, features  four songs that are all back to back. These songs feature Imagine  Dragons delivering material that could be seen as outside of their  comfort zone. It’s unfortunate that, for the most part, these are some  of the worst tracks on the album. The first of the four is “West Coast,”  a horrifically bland, repetitive throwback to the trite pop folk of the  early 2010s à la Mumford & Sons. “Zero” may be a rather basic take  on new wave, but it’s high tempo and bouncy demeanor makes for one of  the few times Origins is any fun.

It’s the following two tracks of this quartet that bring Origins to  its lowest point. “Bullet In A Gun,” which I can only guess is their  attempt at hip hop on this record, is a confused mess of hi-hats,  unsavory vocal manipulations, and a bridge that makes for one of the  most embarrassing moments on the record. It is only bested by “Digital.”  This track is not only plagued by ugly breakbeat percussion and  brostep-tinged folk pre-choruses, but it has an annoyingly repetitive  chorus and a generally awkward song structure. The compression on this  track is so bad that it would not be a surprise if the Loudness War  restarted because of this track. It makes “Bullet In A Gun” seem  passable, which is quite the accomplishment.

Recommended If You Like:

OneRepublic

Coldplay

Top Track(s):

“Zero”





Featured Image: CB Emerald Coast

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