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Heartland Film Festival: ‘Alaska is A Drag’ is anything but

There are not a surplus of films about drag performers. Sure, there  are quite a lot of movies in which actors in the film dress up in drag  such as (i.e. Mrs. Doubtfire, Some Like It Hot, White Chicks). But  movies about drag queens, kings and others whose art and passion  revolves around the practice, are much less prevalent. Movies that take  place in Alaska are also not too common, especially when the setting  isn’t just used as a snowy backdrop.

So Alaska is A Drag, which both of these qualities can be  applied to, is quite the special film. Just based on it’s basic premise  there are very few films like it; and the film takes advantage of its  one-of-a-kind combination. The only place where Leo (Martin L.  Washington Jr.), our protagonist, can obtain gowns for his drag is  essentially a lost and found for items left on boats. There’s only one  gay bar within a hundred miles of his hometown and it’s depicted as  being almost empty constantly. It’s a fascinating portrayal of how  subcultures, in this case drag, endure in a community that hinders its  very existence.

 


The plot of Alaska is a Drag sees Leo, a young, ambitious  drag performer who has found himself rotting away in rural Alaska,  balancing his passion for drag with boxing with doing whatever he can to  get him and his sister, Tristan (Maya Washington), out of Alaska and to  Los Angeles to follow his dream, as well as possibly reconnect with his  mother (Nia Peeples). The largest arc of Alaska is A Drag,  getting out of Alaska, is solidly set up and wraps in an unexpected but  sweet manner. It’s smaller arcs throughout the film aren’t wrapped up or  as paced as well. A prime example is the drag competition that plays  out like it should be the suspenseful, emotional climax of the film  precedes the wrap-up of almost every other major arc.

Even if all of the arcs weren’t paced perfectly, the stellar leads really did make the journey worth it. Leo as Alaska’s  lead has enough charisma to shine throughout the entirety of the film.  Washington Jr. brings so much charm, emotion and versatility to Leo. His  on-screen relationship with Maya Washington, who plays Leo’s sister,  Tristen, is especially a joy to watch; their own daily routines, inside  jokes, and believable close bond really makes them a dynamite  brother-sister duo.

Almost all of the majors roles, and some of the more minor ones, like  aging, flamboyant drag queen Hal AKA Mistyque (John Fleck) and Leo’s  boss and boxing coach (Jason Scott Lee) were played really well. The  only slight dud of a performance was Leo’s love interest, Declan (Matt  Dallas). Near the end of the film his performance does see an uptick,  but for the first half of the film, his acting comes across as  amateurish. He doesn’t turn in that bad of a performance, but when his  other half in the film is performing as well as Washington Jr. does,  even the slightest of flaws are magnified.





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